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Bezdna Radio Essentials 007

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Continue the atmospheric series of selected tracks from Bezdna Radio. Straight on Brezna!

Listen here!

She Sings Sea Songs

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[Mi115] Linda Bjalla – She Sings Sea Songs

This Ambient EP is composed by Izumi Suzuki (aka Linda Bjalla) for Mimi Records.

“Some people say that mermaids do not exist. Pure lies. Izumi Suzuki (aka Linda Bjalla) is one of them and invites us to dream and a journey of pure enchantment by cold seas of Sweden.
Izumi use her voice like a siren who naively tries to attract listeners. And she made it. The rest of the scenario is the mastery of a piano accompanied by sound landscapes that make us remember the seabed.
The spell is short so it is recommended to listen in loop.”
Fernando Ferreira (Mimi)

Listen She Sings Sea Songs

Oceans And Atmospheres

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V.A. “Oceans And Atmospheres” [Deep Lever Netlabel Compilation #1]

Here the first Deep Lever compilation compiled by Dino Dumandan, Kress, Tom Lynn, Steve Burkholder, Unius, The Heavy Skies, Michael Bross., which focuses on electronic ambient and downtempo music. 

To listen!

via: Netlabels & News

The Sixteenth Hour

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sfp06 HALO XVI “The Sixteenth Hour”

HALO XVI is the project of italian musician Gianpaolo Diacci, who’s been playing bass, among other instruments in several bands over the years.
For the album “The Sixteenth Hour” he is accompanied with Giorgio Ricci and Massimo Berizzi. Together, they have created an ambient album that’s full of misty atmospheric soundscapes, fused together with guitars and something that’s not often heard in context of electronic music, the trumpet. A word from the artist himself:

“The Sixteenth Hour is indeed a weird title for a record, given that there are little or no connections with the band’s name. It has it’s roots in not so distant time, when the sixteenth hour was the hour in which a lot of things, real and fantastic, were accomplished. It was the magic time of the day, a new beginning, the end of the daily routine and the start of lucid dreaming. The atmosphere and the soundscapes we tried to summone on the EP come directly from that time.
We tried to obtain all this by the means of an array of modern electronics, electric vibrations from some bass and guitar, and, most of all, the breathe of a trumpet.”

Soft Phase netlabel